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Search results for ‘Julian Oliver Meiojas’

  • fiction

    Death Notification Agency, Volume Two: The Gauntlet

    Julian Oliver Meiojas, Mad Dog Jones

    The second volume in Julian Oliver Meiojas's breathtaking new series about a process server for the DEATH NOTIFICATION AGENCY

  • fiction

    Death Notification Agency, Volume One: The Reaper

    Julian Oliver Meiojas, Mad Dog  Jones

    The first volume in Julian Oliver Meiojas's breathtaking new series about a process server for the DEATH NOTIFICATION AGENCY

  • culture

    ‘JFK’: Oliver Stone’s Emotionally Accurate and Masterfully Crafted Trip Down the Rabbit Hole

    Koraljka Suton

    “I think I was always controversial, provocative. But I can’t help it. I have to go there. It’s my nature. It’s my father’s nature, too..."

  • culture

    ‘American Gigolo’ (1980): Paul Schrader’s Character Study on Loneliness that Established Richard Gere as a Leading Man

    Koraljka Suton

    While he was teaching screenwriting at the UCLA Film School, American director and screenwriter Paul Schrader got a character idea during one of his...

  • culture

    ‘Tomorrow Never Happens’ – Oliver Reed’s Blunt Instrument of Revenge in Douglas Hickox’s ‘Sitting Target’

    Tim Pelan

    By the tail end of the 1960s, the Hollywood studio system was in the doldrums. The British film industry...

  • culture

    Exist As Pure Data: Albert Pyun’s Tech Noir Masterpiece ‘Nemesis’

    Joe Gibson

    When James Cameron made The Terminator in 1984, he included as a sort of nod to his own reference points in making the film a nightclub named ‘Tech Noir.’

  • culture

    70s Paranoia Thrillers … and why we need them now more than ever

    Alan  Glynn

    It was never going to last that long. Golden ages rarely do. But for a while there in the 1970s that’s what we had.

  • culture

    Zombie Himbos and Vatican Hunks: The Joy of British Horror Comics

    Chloe Maveal

    With Halloween just around the corner, NeoText explores the versatility, humor, and perfectly grotesque visuals of British horror comics.

  • culture

    ‘DOES THIS LOOK LIKE A SICK MAN TO YOU?’: The Horror of Identity and the Identity of Horror in David Cronenberg’s ‘The Fly’

    Travis Woods

    TELEPOD 1: STATHIS He watches Her, trembling and nerve-twitched, eyes darting, lips pulled back over protruding…

  • culture

    Paradise Lost: How Martin Scorsese’s ‘Casino’ Charts the Rise and Fall of a Criminal Empire

    Tim Pelan

    This story has to be on a big canvas. There’s no sense in my getting Bob De Niro and Joe Pesci and making a 90-minute picture about only one aspect ...

  • culture

    ‘Magnolia’: Paul Thomas Anderson’s Absorbing Mosaic of Compassion, Humanity and the Importance of Forgiveness

    Sven Mikulec

    In 1997, an ambitious 26-year-old called Paul Thomas Anderson made Boogie Nights, his sophomore directing effort…

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