Death Notification Agency, Volume Three: The Tombstone (sample)
DEATH IS A dream vacation sweepstakes.
And here I am, Ram the Lowly Reaper, the big chicken-dinner winner.
Tell Ram what heās won, Bob! Well, Jim, our lucky death sweepstakes winner receives a one-way, first-class ticket to the Great Beyond Resort where heāll spend infinite days and nights swimming in the Big Black River watching our sun expand outward and engulf the quicksand beaches of Endless Void! On top of all that, our lucky prize winner will get to spend Forever alone and adrift in the Oblivion Sea of Regret and Eternal Damnation!
Yeah, Iām a real motherfuckin winner.
Least thatās what youād think standin in the lobby of the Death Notification Agency. Floor-to-ceilin digital walls displayin ever-so-slow-movin images of peaceful shit like islands or forest landscapes ā the DNAās way of hintin to their walkin-dead clientele that maybe, just fuckin maybe, their afterlives could be spent in some blissed-out postcard with marshmallow clouds and orgasm happy hours. But make no mistakeā¦ weāre in the belly of the minotaur. Death pays the mortgage here at the House of Nevermore.
This, my friends, is the Tombstone.
Donāt be fooled by the pleasant bureaucratic propaganda spewin outta the ten-foot-tall DNA holoployees āwalkinā among the hundreds of doomed citizens waitin to talk with real flesh-and-bone employees about one thing onlyā¦
Death notices.
āHere, at the Death Notification Agency, we put the power of death in your hands. We are here to help with your Transition and make sure you begin your upcoming journey with the peace of mind you and your loved ones deserve. Please remember there are no extensions or corrections to death notices. If you here to file an appeal or an extension, you may do so, but an investigation will only be carried out after your Transition. We want to remind you that the Machine is never wrong. Your time is limited and may be better spent preparing for The Great Adventure that lies ahead. But if you choose to continue waiting, we welcome you and thank you for your patience. Please listen for your number to be called and make your way to the corresponding window. We look forward to assisting you today and hope we can resolve any issues you may have in life, and of course, in death.ā
The Machine is never wrong.
Did you catch that bullshit buried under all that other bullshit? The DNAās constant little reminder about their precious fuckin Machine. I swear on all thatās Holy ā mothers, children, clits, cocks and sushi ā Iām gonna enjoy burnin this bitch down.
I know, thatās a whole lotta talk for a hairy overgrown baby in an aloha shirt scheduled to take the Big Nap in twelve hours and seven minutes.
Better off than poor Jonesy.
She has under two hours left on her clock. Not like you could tell. I look over at my sister-in-arms and sheās got a little piss-lickin grin on her face, just takin in this whole federal agency shitshow. From the giant halo of light stretchin across the entire ceilin spewin pixels out to form those ten-foot holoployees to the DNA seal etched into stone underneath the worn soles of hundreds of folks here to fight for their pathetic lives.
Itās an upside-down tree of life.
Thatās the DNA seal you can see all over this Church of Death. Itās a circle with a buncha fancy words in Latin or some shit, then a tree of life with an upside-down tree growin underneath it. The DNAās subtle way of suggestin thereās life after this one, that life grows down into the dirt same as we grow up out of it.
What a fuckin joke.
I spit on the DNA seal under my boots ā my own tiny shot across the bow ā as I hear Jonesy huffin and puffin, anxious to get her rocks off.
āWhereās Camille?ā asks Jonesy.
āGive her a fuckin minute.ā
āDonāt have too many left to give.ā
Sure, Jonesyās losin patience, but thereās somethin else brewin in her pot.
āYou good, princess?ā
āFuck off, Ram. The bagās getting heavy is all.ā
Jonesy shifts under the weight of the military duffle sheās got slung over her shoulder. You could kill ten thousand people with whatās in that bag. But it aināt the bag or whatās in the fuckin bag thatās weighin on herā¦
āIām scared, too, Jonesy.ā
āScared? I donāt think so, old man. I havenāt been scared since I fashioned my junk into a slit. These fucking bureaucrats in here talk about death being a Transition. Fuck Death. Try lopping off the head of your dick to make a clit. Now thatās a fucking transition.ā
Jonesyās got me laughin.
Canāt help it. Sheās one of the funniest motherfuckers alive. At least for a little while longer. Iām gonna miss her if we canāt find this Moirai and set this shit straight. But the sad reality is, I probably wonāt keep her waitin on the next earth too long. Chances are weāll be shit-talkin our way through the goddamn afterlife together. If there is one, which Iām pretty sure there fuckin aināt.
āThere she is,ā says Jonesy.
Camille, my guardian angel, who never asked for this fucked-before-it-started bodyguard gig, is across the lobby tryin to use her DNA credentials to get into a special section manned by fifteen armed guards. But she wonāt get past āem. We know that ācause she knows that. This is part of our plan.
Well, her plan.
See, Camilleās the only one whoās been here before, so she gave us the whole layout when were plannin this jackpot. Above where Camille and the guards are standin, I canāt help laugh at a sign with one of the DNAās stupid fuckin mottos:
SAY GOODBYE ON YOUR TERMS.
Underneath that dogshit that makes me wanna upchuck in my mouth is what the guards are guardinā¦ A golden elevator.
Sounds ritzy like outta one of those fairytale books Iād read to Sam and Olivia when they were young, but it aināt. This being a government agency just like any other, the only gold the DNA can afford is cheap plate over cheaper steel made in some other fuckin country no doubt. Nothin fairytale about it. Iād say this whole mess is more of a cautionary tale. Or a fable whose moral got kidnapped ācause I aināt sure what Iām supposed to be learnin from this whole fuckin lesson. Either way, that gold shitbox is where we need to be.
Thatās the way to Moirai.
The way to my salvation. And judgin by the fact that Camilleās now walkin away from the gun-totin guards and headed our way, through the 10-foot-tall holographic figures and the desperate-to-live crowd, Iām guessin weāre gettin close to the start of the show.
Camille gets behind us in line.
āDonāt turn around,ā she says.
āWe set?ā I ask without turnin.
āYes, they know Iām here now,ā says Camille.
āI donāt get it,ā says Jonesy. āWonāt they care more that Ramās here if they really did set him up? Isnāt he the one they want dead? Like deader than fucking dead? Likeā?ā
āYeah, we get the point, Jonesy,ā I says.
But itās a fair question. Iāve caused these fuckers quite a bit of distress since I got my death notice handed to me in Lionel Dukesā office all those hours ago in District 598.4A. Hollywood, Florida. Shit. Feels like decades ago now. If thereās any goddamn way I make it outta this whole death parade alive, one thing I wonāt be doin is goin back to Hollywood fuckin Florida.
āThey already know heās here,ā Camille says.
āWhat? How?ā Jonesy asks.
āThe Slither,ā I realize.
That fuckin Slither.
I still got no real idea what the fuck it isā¦ but besides killin me when my timeās up, itās keepin tabs on me? āCourse it is. āCourse they know Iām here. Theyāre in full control. The DNA, and this fuckin Magic Man Moirai knows everything about my lifeā¦ and my fuckin death.
Thatās why weāre here.
I get it. But Camille can see that Jonesy, being one of those analytical, rational types (unlike me) needs a bit more hard evidence to chew on before swallowin whatever sheās fed, so Camille breaks it down further for my heavy-minded compatriotā¦
āRam alone doesnāt get us face time with Moirai. He doesnāt meet anyone in person. He hides behind intermediaries. Heās a ghost. An invisible hand. No one even knows what he looks like. And as far as killing Ram, itās easier for Moirai to just let Ramās Slither finish the job.ā
āAnd why do you matter to him so much?ā Jonesy asks.
Jonesy must be gettin more suspicious the closer she gets to death. Or itās just good-ol Stranger Danger when it comes to Camille. Guess Jonesyās always been that way when it comes to new folks in her orbit. Hell, I understand, when it feels like the whole worldās tryin to push you a fuckin cliff, you tend to ask a few more questions. But I can see Camille donāt wanna do any more explainin to the dyin peanut gallery sheās got in tow, but sheās the type of woman ā my type of woman ā whoās not afraid of a little confrontation.
āAs a long-time DNA employee who is the only witness to a major cover-up, and the victim of that cover-up is also right here in this lobby, I ā we ā will start mattering to Moirai very soon. Any more questions, Jonesy? Take your time, not like itās running out or anything.ā
As Jonesy glares razorblades at Camille, Iām stuck on a word.
Victim.
Thatās the only thing I heard outta Camilleās mouth just now. I donāt wanna be that no more. Iāve felt that way my entire no-good fuckin life. A victim of circumstance. A victim of my own bad decisions. A victim of loss, of fate, of hate, of heartbreak. Iām here to make a victim, not be one. Moiraiās the only name I wanna see etched on this fuckin Tombstone. But firstā¦
I gotta trap the ghost.
Camilleās breaths are shallow, laced with panic ā which puts me on edge. I know the sound ācause I know fear. I know what it does to the frame. The mind. And right now, the fearās pinballin around in Camilleās ribcage. Sheās scared. Not about what happened, or even whatās happenin. But whatās goin to happen. And I donāt blame herā¦
Things are gonna get ugly.
āYou sure this is gonna work?ā Jonesy asks.
āTheyāre calling upstairs as we speak.ā
Sure enough, one of the golden elevator guards hangs up a phone built into the wall. Then he grabs a small battalion of soldiers and starts headin Camilleās way. But this aināt gonna be a friendly visit. I can tell by all the hands startin to position on the automatic weapons swingin from straps around their torsos. Told youā¦
This aināt no fuckin fairytale.
At least the planās simple.
We move when they move.
āTime to nut up, Jonesy.ā
āAbout goddamn time,ā cracks Jonesy, who throws down that bag. It lands with a clunkin sound only made by heavy metal. Artillery. A siren call for ex-soldiers and killers.
Music to our ears.
As Jonesy rifles through the bag of murder tools, I feel Camilleās hands on my body. She turns me around and pulls me close to her.
She kisses me.
āDonāt die,ā she whispers into my mouth.
Camilleās lips feel electric. But thereās somethin in this kiss. Somethin I canāt put my finger on. Somethin that sends a chill down my spinal column. And that chill is tellin me that our best laid plans aināt gonna stack to shitā¦ ācause now weāre in the Tombstone. Weāre in the ninth circle, and that little fuckin chill in my spine is tellin me this could be the last time I kiss this woman.
Itās tellin me somethin aināt right.
āCamilleākā
āRam, weāve been over this. Itās the only way.ā
āWhat about your boy? What about Alston?ā
āDonāt do that, Ram.ā
āDo what?ā
āPretend to know me like that. My son is all Iām thinking about, believe me. Heāll know I did the right thing. This is the right thing, Ram.ā
Sheās tryin to convince herself more than me.
āThen why donāt it feel that way?ā
āBecause youāre a good man.ā
She kisses me again.
I feel her on me as long as I can this time. And that chill in my spineā¦ it aināt fuckin goin away. Must have some meanin to it, that instinct I carved over the years now screamin at me. But this aināt no time for psychobabble.
āJonesy, toss me a burner.ā
Jonesy passes over a mod-pistol I never seen before, definitely some aftermarket, Iron-Park special. Itās way too light for the full-auto power itās packin, some custom polymer framework with a 100-round dual-drum magazine attached. This thing could torch a fuckin village.
āBit much, isnāt it?ā
āYou said a burner, right?ā
āGuess I did.ā
āWell, thatās a fucking burner, Ram.ā
As that battalion of armed guards closes in, I take a deep breath. Thenā¦
I take a hostage.
Just so happens I think Iām fallin in love with this fuckin hostage. But itās probably too late for me. And way too late for love.
Iāll be dead soon.
Thatās the only thought jammed in my fuckin noodle as I feel the air rush outta my lungs and through my voice boxā¦
āEverybody get the fuck back!ā
Screams pierce the crowd on account of the considerable firepower we got on display. The armed guards stop and get into battle formation, their assault rifles all mad-doggin me, itchin to put some copper teeth in my jugular.
So, here I am in the lobby of Death HQ, standin among hordes of people who are gonna be dead within 24 hours, with Jonesyās burner pointed at my hostage.
Camille.
So much for being a good man.
It used to be called the Empire State Buildingā¦
Before the Death Notification Agency moved in and changed all the signs.
Now it goes by a different nameā¦
THE TOMBSTONE.
This is where we find Ram, our low-level process server ā a reaper ā for the DNAā¦ in the heart of Manhattan, on the run, with much less than 24 hours to live. In Volumes One and Two, Ram received his own death notice in Hollywood, Florida and crossed a gauntlet getting to NYC after discovering he was at the center of a conspiracy that, if exposed, could bring down the entire Death Notification Agency.
And thatās exactly what Ram aims to do.
Good thing heās not alone anymore. With the help of Camille, a DNA insider with whom he might be falling in love (although heād never admit that), and Jonesy, his deadly right-hand woman from his war-torn past who has some life-expectancy issues of her own ā Ram has to infiltrate the heavily-guarded skyscraper and get to the man at the top of the tower ā the creator of the Death Notification Agency and the orchestrator of Ramās demiseā¦ Moirai.
Unfortunately, Ramās greatest threat may not be the battalion of armed gunmen heās up against, or even death itself, but one of the people standing right beside him. As the sign in the lobby of the Death Notification Agency proclaims, designed to soothe the worried minds of their soon-to-be deceased clienteleā¦
āSAY GOODBYE ON YOUR TERMS.ā
Volume Three: The Tombstone is the brutal next installment of the six-part DNA series where Ram will finally come face to face with the wizard behind deathās curtainā¦
Julian Oliver Meiojas's DNA series, illustrated by Mad Dog Jones, hurtles forward into another hardboiled hellride from NeoText, inspired by the classic illustrated novels of the golden age of action-adventure science fiction.